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What is a photography facilitator?
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Producing a 3-day Festival is no joke.
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The brave new world of digital publishing.
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Still the best way to view a photograph.
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Editorial stories I have worked on.
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The photography book.
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Info
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Keep photographers photographing. What is more important than seeing and knowing the world?
I provide a wide range of freelance photography related tasks such as photo research, photo editing, story research, archive organization and management, and preparation for field assignments.
As the Producer, I am responsible for executing exhibits, producing all digital projections and presentations, and education components at the annual LOOK3 Festival of the Photograph. I'm in the projection booth making sure you never see a glitch. I work closely with the curated list of artists from all over the world as they craft their vision for their presentation at the Festival. I also manage the production calendar, customer relations management database, and ticket sales for the Festival. Its a labor of love.
I have worked with National Geographic editor-at-large Michael Nichols for 6 years.
The Crozet office is bustling with activity: I help coordinate his assignments and field work, craft exhibits with curators all over the world, assist in editing the thousands of images from each story, and maintain his 30 year archive of photographs.
Work with multiple Photo Editors and staff photographers in a multitask environment to assist them in the development and production of magazine stories from initial research to final photographs.
- Research: Provide editorial, picture and background research for story proposals. Create and maintain a detailed contact/research document including sample images for visual points of reference for use by the photo editor and assigned photographer.
- Pre-production Story Management: Secure visas, permits, or other permissions. Issue letters of introduction. Obtain aircraft, watercraft, and other specialized equipment. Find local fixers/guides. Work directly with the assigned photographers, and act as point of contact for the photographers while they are in the field. Manage the flow of images - acquire lo-res images for projection, hi-res images for publication, and verify all captions and credits. Color correct images for projection as directed.
- Post-Production Story Management: Manage the digital workflow in Media Grid, transfer files to layout, enter dummy and final captions for published and web images, verify credit lines, transmit film/files to Engraving and Printing. Examine digital proofs for photographic accuracy. Provide images and captions to the web, International Editions, Communications, and other divisions as needed.
- Help prepare and track story projections and budgets.
Utilize research skills to seek out potential supporters of the NPCA mission, package the information into comprehensive reports and deliver to NPCA executives.
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Photos
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I freelance in photography facilitation. How's that for alliteration?
m: 703.395.5654 | e: jennapirog@gmail.com